T-ara ROLY POLY

                                                                ROLY POLY                                                                   T-ara

eodikkaji wanna tto eodi sumeonna
mame deureo wanna nanananana I like you 
eodiseo osyeonnayo jakku nuni ganeyo geudaenunbichi
naneun cham mame deuneyo
yeopeuro gago sipjiman yonggiga annnaseo
gaseumi tteollyeowa
naneun cham mangseorineyo molla eotteokhae nan molla michigesseo neol
nochigi sirheo neoegero
jeomjeom dagagallae jeomjeom nae apeseo tteonal su eopge




*Roly Poly Roly Roly Poly
nal mireonaedo nan dasi negero dagagaseo
Roly Poly Roly Roly Poly
naman boilkkeoya neoege nareul boyeo julkkeoya 


sigyeneun wae bonayo uri mannambuteo jjuk
meomchwo inneunde
naneun cham mame deuneyo
na oneul isanghaneyo jakku tteollineyo geudaereul bogoseo
naneun cham mangseorineyo molla buranhae nan molla michigesseo eodiro
galkkabwa hangeoreum deo
jeomjeom dagagallae jeomjeom nae nuneseo tteonal su eopge


*REPEAT 


I like like this I like like that I like this like that yeah


*REPEAT


 Ah Ah Ah Ah Tonight
sigani doengeoya naegero olgeoya Oh Tonight
Ah Ah Ah Ah Tonight
neol gidaril geoya neodo nal nochigi sirheul geoya 

STARKARAENG


source:google.com

Learn How To Play The Single Stroke Roll. Single Stroke Rudiment

STARKARAENG. The single stroke roll is the most common drum rudiment used on the drum set. It's often played in beats, fills, and drum solos. It doesn't matter if you are new to the drums, or if you have been playing for years, the single stroke roll is absolutely essential. Here is how the single stroke roll is notated:

As you can see, it's played with simple alternating single strokes (R, L, R, L). It is best to start practicing this on a practice pad, and then eventually take it to the kit. Once you can play it in perfect time with a metronome, begin to speed up the tempo to increase your overall speed and endurance.

Focus on keeping all the strokes at an even volume. Watch how your sticks come up for each stroke, and be sure they reach an even height. If one stick is coming up higher than the other, it will typically create a louder stroke. Practicing in front of a mirror is highly recommended, so you can keep an eye on both hands while first developing this rudiment.

Single Stroke Roll - Drum Set Exercises

Here is how you might incorporate the single stroke roll into a drum beat:

Exercise three incorporates the single stroke roll into a drum set fill:

Once you have mastered this rudiment, you can move on to the single stroke four or the double stroke roll.




source:freedrumlesson.com

YUI Rolling Star Lyric

                                                      ROLLING  STAR                                       YUI

mou gaman bakka shiterannai yo
iitai koto wa i wanakucha
kaerimichi yuu gure no basutei
ochikonda senaka ni bye bye bye
kimi no Fighting Pose misenakya o..o..


Yume ni made mita younan sekai wa
arasoi mo naku heiwa na nichijou
demo genjitsu wa hibi TORABU tte
tama ni kuyandari shiteru sonna Rolling days


koron jatta tte iin janaino
sontoki wa waratte ageru
nirokonda Basu no okokara
chiisaku hohoemi ga mieta
kimi wo tayori ni shiteru yo o..o..


Yume ni made mita you na sweet love
koibito tachi wa kakurega wo sagasuno
Demo genjitsu wa aenai higa
tsuzuki nagara mo shinjiteru no lonely days
tsumaizuita tte way to go
yeah yeah dorodarake ROLLING STAR


narubeku egao de itai keredo
mamorinuku tame niwa shikata nai desho
kitto uso nante sou imi wo motaranai no
all my loving
sou janakya yatterannai


yume ni made mita you na sekai wa
arasoi mo naku heiwa na nichijou o..o..
Demo genjitsu wa hibi Torabu tte
tamani kuyandari shiteru sonna Rolling days
sou wakatteru tte
tsumazuita tte way to go
yeah yeah doro darake ROLLING STAR


STARKARAENG

YUI

STARKARAENG- Yui (ユイborn March 26, 1987), stylized as YUI, is a multi-instrumentalist, singer-songwriter, composer, actress, and radio personality. Born and raised in Fukuoka, she played live at various locations in her home town before being noticed by Sony Music Japan when she was 17 years old and released her debut single months later. However her singles were only met with moderate success until her breakout "Good-bye Days", which charted for 44 weeks on Oricon and marked her as one of the Japanese music industry's rising stars.

Since her debut album, From Me to You, each of her albums has topped the charts, and has had at least one single reach number one yearly since 2007, including five straight from mid-2008 to late-2010. is popular in Japan and in surrounding countries, ranking number one in 2011 Count Down TV "Dearest Female Artist" and Music Station "Artist You Most Want to Marry" polls, as well as Radio Television Hong Kong's "Most Popular Japanese Artist".

Early life

Yui was born in Fukuoka, Japan. The Associated Press has reported that her full name is "Yui Yoshioka"; but Yui and her record label have not confirmed this. She grew up in a single-parent family; her father left her mother when she was three. She stated that she had always been close to music, as she would remember the beats from music she heard on the radio, and could sing it. By the time she was in elementary school she thought she would like to become a singer.

Self-described as shy and horrible at talking to others as a child, she would play outside by herself in mountains, rivers, by the sea and in rice paddies.In her third year, she was influenced by her mother to begin writing a journal of her feelings and tried to compose them into poems. By the time she was in high school, she began to write songs, and she thought of that as being managing to be able express herself little by little. While in high school, she worked part-time at a Chinese restaurant to help pay for tuition. With her workload, she thought she no longer had the time to realize her dreams of a music career. For example, between music, school and work, she only had one or two hours of sleep; she would eventually get ill. While in the hospital, she was overwhelmed with the desire to make music and finally decided that school and music could not coexist.

Soon after leaving the hospital, she got a chance to see her first live street performance. She expressed a desire to pursue a musical career to the band, Bianco Nero, at the end of the concert. The band advised Yui to join a private music school. Despite the social norm of finishing school in Japan and discouragement from her teachers, Yui did not hesitate to drop out of high school and began to study guitar and songwriting at a juku (cram school) in her hometown of Fukuoka.Aspiring to become a professional, she took to street performing at Fukuoka's Tenjin Station. These street performances helped Yui to overcome her shyness.

"Rolling Star" is one of my favorite song,and this song are became opening of the anime Bleach official video clip.

How To Play Drums beginner 3

STARKARAENG. Thinking about learning how to play drums? Do you have a drum set but don’t know what to do with it besides using it to drive your parents nuts? If you answered yes to at least one of these questions, then this is the right place for you to be. In this video lesson Jared Falk, one of the “DrumLessons.com” drum instructors, shows you how to hold the sticks properly and how to set yourself behind a drum set, while teaching you to play your first beat and fill.

The main focus of this lesson is to get you playing for the first time. You won’t need to know how to read sheet music to be able to learn to play the patterns taught in this lesson. Jared explains each of the patterns in a step-by-step approach, so you’ll learn how to play drums in no time.

Basic Drum Patterns

The first pattern we’ll be looking at is the standard 8th note rock drum beat. The first layer of this pattern is taught on the exercise below. The numbers and “&’s” are counts, while the “x’s” are notes played on the closed hi-hat. For each measure you’ll have to play eight 8th notes on the closed hi-hat. Start by counting out loud – 1 and 2 and 3 and 4 and – and then play the hi-hats along with your count. Strive for having notes played at a consistent pace and with the same dynamic level, as you loop this exercise over and over again.

In exercise 2 we add the snare drum on beats 2 and 4 of the count. The snare shots are represented by the solid note heads on the middle line of the measure. Play the hi-hat strokes as you count out loud and just add in the snare drum. The strokes on both instruments must line up perfectly when played at the same time. Remember to keep the hi-hat strokes consistent to create a smooth feel.

With the third exercise we add in the bass drum on beats 1 and 3 of the count. For now, we’ll not be worrying about the snare drum. The solid note heads on this exercise are the bass drum strokes. Just like we did in the previous exercise, add the bass drum hits as you play the hi-hat while counting out loud. The strokes on both instruments must line up perfectly when played at the same time. Keep the hi-hat strokes consistent to create a smooth feel.

The idea behind the previous exercises was to have you gain the needed independence and control to play the basic 8th note rock beat. Now that you’ve learned how to play its three layers it’s time to put them all together. The hi-hat is played on all 8th notes, just like we learned on the previous exercises. The snare drum is added on beats 2 and 4 while the bass drum is played on beats 1 and 3. Remember to keep the hi-hat consistent and the snare and bass drum strokes lined up with the ones played on the hi-hat.

If you’re having any issues with this beat, feel free to go back to the previous exercises and work on them for a while. Remember to practice with a metronome. Once you have the independence and timing happening come back to this beat and give it a whirl once again.

The last exercise in this lesson is your first drum fill. A drum fill is a pattern played around the drum set that among other things is used for setting a new section of a song. The beat you just learned is 8th note based while the pattern in this exercise is 16th note based – patterns with notes played on the “e’s” and the “ah’s” of a measure.

The hand with which you strike the hi-hat plays the notes of the fill on the beats (1, 2, 3, 4) and on the “&’s”, while the other hand fills in with the rest of the notes on the “e’s” and “ah’s”. As you transition from the beat to the fill you’ll notice that the hi-hat hand keeps playing the same notes it was playing on the beat. The only difference here is the instruments it hits. So a good way to start practicing this fill is to only play the 8th notes around the snare and toms by playing exactly what you were executing on the hi-hat. As you get comfortable with that transition you can start filling in the notes in between with your snare hand.

Take your time with these exercises, they may be hard to play at first but if you keep at it you’ll have no problems.

How To Play Drums beginner 2

STARKARAENG. Are you ready to learn how to play drums? You can get started by watching Jared Falk's video lesson above. It includes step-by-step training that will show you exactly how to play the beginner exercises on this page.

The four drum patterns below make it easy to learn the drums progressively. They start out with just one part of the drum kit, and eventually include all the voices that make up a simple drum beat. This way you can learn how to play the drums with baby steps.

The Basic Drum Patterns

Take a look at the first exercise below. It has a single measure of eighth notes. The count is listed above each of the eight notes in the measure. The "x" symbol above the top line of the measure indicates that these counts are to be played on the hi-hats. Start by counting out loud (one and two and three and four and), and then play the hi-hats along with your counting. Loop this a few times, and focus on playing at a consistent pace.

In exercise two, you'll learn how to play the bass drum on the one and three counts. As you can see below, the bass drum is indicated with a solid note in the bottom space of the measure. You can watch the video lesson for tips on how to play the pedal with control.

Next, exercise three includes the snare drum on counts two and four. The snare drum is indicated by a solid note on the middle line of each measure. As with the bass drum, you want to focus on playing these right with the hi-hats. The strokes should line up perfectly, so it sounds like one complete sound.

Finally, exercise four brings everything together. The previous patterns were all leading up to this. As you can see below, this beat includes the hi-hats, snare drum, and bass drum - all together in one complete beat. This is how to play the drums in a real band setting.

Be sure you really focus on playing this beat steady and in time. It is highly recommended that you play along with a metronome - especially when first learning how to play on a drum set. Everything needs to sound even and consistent. Just loop the pattern over and over until you are feeling very confident.

If you are having any difficulty with this last beat, you can always go back and practice beats 1 - 3. That will help you focus on timing and limb-independence. Then, when you feel ready, come back to beat 4.

Learn How To Read Drum Notation

This lesson is intended to give you a quick-overview of all the drum notation symbols used on this website. You can think of this page as a drum-key or legend for all the different drum set voices that you play within beats, fills, and solo patterns. You can refer back to this page if you are ever uncertain about what is to be played within certain sheet music exercises.

Note: Each measure includes four quarter notes that repeat the symbol used to notate various drum set voices. Keep an eye on the vertical position and note-shapes. They are the main differences between symbols.

Use this lesson in conjuction with the lessons on counting quarter notes, eighth notes, sixteenth notes, eighth note triplets, sixteenth note triplets, thirty-second notes, and rests if you want to master the ability to sight-read drum notation. It's an extremely valuable skill to have as a drummer! STARKARAENG

Beginner Drum Fills

What are drum fills? How can they be used in a musical context? In this video lesson Jared Falk answers these questions and teaches 5 different patterns for you to use as drum fills. Jared breaks them down slowly so you can see exactly how to play them, and how they sound. As an added bonus each fill is also played in a musical context. In this lesson you can download 2 versions of the track Jared plays along to in the video. Use them for practicing these or any other fills you’d like.

Any pattern played on a drum set, or even on a pad is nothing more than a sequence of strokes. For any of the exercises shown bellow start by practicing the sequence. Once you’re comfortable with it, play the exercise to a metronome. This will help you line up the strokes perfectly. Afterwards, you can start playing the fill with a beat. Use the beat provided in the sheet music for each one of the exercises. Once you’re comfortable with it try using your own beats or any other beat you’d like instead.

Drum Fills

In this first exercise we have a basic 8th note pattern played on the snare and around the toms. This is a fairly basic stock drum fill with a decent amount of challenge nonetheless. Practice with a metronome and start out slowly. Increase the tempo of the click only when you’re comfortable with the fill. After you’re done playing the fill you can crash on beat 1 of the following measure on one of your cymbals. This is a very common procedure for signaling the start of a new phrase or section.

In this 16th note drum fill we take a step further in regards to the previous exercise. Instead of playing 2 notes per drum we play 4. This means this fill is two-times faster, so it’s really important to start out slowly with this one. Rushing the learning process may create unwanted tension in your wrists, sticks clicking, and getting poor tone out of your drums. By relaxing your grip you’ll get a richer tone from your drums, your skins will last longer, and you’ll decrease your chances of developing repetitive strain injuries. Speed comes with control and relaxation, so take your time. Also, focus on hitting the center of each drum to produce a consistent tone.

Fill number 3 is just like the previous one. However, instead of playing 4 strokes per drum we split them up between the different drums in groups of 2. The biggest challenge in this fill is getting the transition between the floor tom and snare drum, when playing right hand lead, or the transition between the snare drum and the floor tom, when playing left hand lead, flowing effortlessly. This is so because your leading hand will crossover the other hand to start hitting on the new drum, causing a lot of stick clicks and drops.

Exercise 4 is a bit more challenging than the previous ones, but it’s also a very fun one to play. The pattern is a lot more broken up and incorporates the bass drum in your fills for the very first time. Since this fill gives use to your bass drum foot in a 16th note roll, the coordination needed is a lot more demanding than if you were only playing the role with your hands. Take this exercise really slow and give your body time to really understand and perfect the timing needed for transitioning between hands and foot.

This exercise is a good reminder of how creative one can be when creating fills. Any voice of your drum set can be used on a fill, there is no written rule here that says you have to only hit the snare, toms, or cymbals. When you’ve mastered this drum fill try using your left foot on the hi-hat pedal instead of the bass drum foot as an added challenge that will increase your left foot control and coordination.

In the fifth and final exercise we take a look at another 16th note drum fill. This one is a little awkward at first because of the placement of the tom strokes. This can be especially hard if you are not used to moving your weaker arm to play syncopated notes on a different drum from the one your main hand is at. The secret to have this under control is to learn it very slow and get really comfortable with the sticking pattern.

These beginner drum fill are just to get you started. After you feel you have mastered these ones and want to learn more, you can either mix and match sections of these fills among them to create totally different patterns, or check the free drum lesson “Quarter Note Drum Fills” next. STARKARAENG

How To Play Drums beginner

Thinking about learning how to play drums? Do you have a drum set but don’t know what to do with it besides using it to drive your parents nuts? If you answered yes to at least one of these questions, then this is the right place for you to be. In this video lesson Jared Falk, one of the “DrumLessons.com” drum instructors, shows you how to hold the sticks properly and how to set yourself behind a drum set, while teaching you to play your first beat and fill.

The main focus of this lesson is to get you playing for the first time. You won’t need to know how to read sheet music to be able to learn to play the patterns taught in this lesson. Jared explains each of the patterns in a step-by-step approach, so you’ll learn how to play drums in no time.

Basic Drum Patterns

The first pattern we’ll be looking at is the standard 8th note rock drum beat. The first layer of this pattern is taught on the exercise below. The numbers and “&’s” are counts, while the “x’s” are notes played on the closed hi-hat. For each measure you’ll have to play eight 8th notes on the closed hi-hat. Start by counting out loud – 1 and 2 and 3 and 4 and – and then play the hi-hats along with your count. Strive for having notes played at a consistent pace and with the same dynamic level, as you loop this exercise over and over again.

In exercise 2 we add the snare drum on beats 2 and 4 of the count. The snare shots are represented by the solid note heads on the middle line of the measure. Play the hi-hat strokes as you count out loud and just add in the snare drum. The strokes on both instruments must line up perfectly when played at the same time. Remember to keep the hi-hat strokes consistent to create a smooth feel.

With the third exercise we add in the bass drum on beats 1 and 3 of the count. For now, we’ll not be worrying about the snare drum. The solid note heads on this exercise are the bass drum strokes. Just like we did in the previous exercise, add the bass drum hits as you play the hi-hat while counting out loud. The strokes on both instruments must line up perfectly when played at the same time. Keep the hi-hat strokes consistent to create a smooth feel.

The idea behind the previous exercises was to have you gain the needed independence and control to play the basic 8th note rock beat. Now that you’ve learned how to play its three layers it’s time to put them all together. The hi-hat is played on all 8th notes, just like we learned on the previous exercises. The snare drum is added on beats 2 and 4 while the bass drum is played on beats 1 and 3. Remember to keep the hi-hat consistent and the snare and bass drum strokes lined up with the ones played on the hi-hat.

If you’re having any issues with this beat, feel free to go back to the previous exercises and work on them for a while. Remember to practice with a metronome. Once you have the independence and timing happening come back to this beat and give it a whirl once again.

The last exercise in this lesson is your first drum fill. A drum fill is a pattern played around the drum set that among other things is used for setting a new section of a song. The beat you just learned is 8th note based while the pattern in this exercise is 16th note based – patterns with notes played on the “e’s” and the “ah’s” of a measure.

The hand with which you strike the hi-hat plays the notes of the fill on the beats (1, 2, 3, 4) and on the “&’s”, while the other hand fills in with the rest of the notes on the “e’s” and “ah’s”. As you transition from the beat to the fill you’ll notice that the hi-hat hand keeps playing the same notes it was playing on the beat. The only difference here is the instruments it hits. So a good way to start practicing this fill is to only play the 8th notes around the snare and toms by playing exactly what you were executing on the hi-hat. As you get comfortable with that transition you can start filling in the notes in between with your snare hand.

Take your time with these exercises, they may be hard to play at first but if you keep at it you’ll have no problems.STARKARAENG